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Sunniva Skjøstad Hovde

Førsteamanuensis
Seksjon for musikk
She works with arts and diversity, power and globalisation, leadership, music and language, technology/production, post-human methodology and rhizomatix analysis. She is particularly interested in artsbased research, local/global belong and traditional cultural expressions in Malawi.

Utdanning

PhD i Ethnomusicology/Popular Music Research

Course in Higher Education Pedagogy

Forskning og utvikling

Arts/Music, Diversity and Globalisation

Malawian Traditional Culture in a Modern World

Music and Language

A/r/tography

Rhizomatic research, posthuman, postocolonial and intersectional analysis.

Arts, belonging and representation.

Gender, minority and power. 

Improvisation and Music Technology

 

 

Publikasjoner

Water Competence and New Norwegians (2019). The Nordic Model and Physical Culture. Routledge.

Untamed stories told by artfully creative artists in Malawi and Norway (2019). Performative approaches in Arts Education. Artful Teaching, Learning and Research. Routledge. 

Teaching Malawian Traditional Dance in a Modern-Traditional City (2019). JASED. Oslo

Complexity in Global Music Belonging. Post-human Methodologies in Analysis of Marginalised Teenagers (2018). Qualitative Inquiry. Sage Journals. 

Jakten på den Musikalske Bi-effekten "Bedre Språk"(2018). Veier til Språk. Universitetsforlaget. Oslo

Global Musicking (2013). Om innvandring og den farlige forskjelligheten. PhD. NTNU Trondheim. 

Innvandring og musikkmakt i Norge (2012). Musikk, politikk og globalisering. Akademika. Trondheim. (kapittel i antologi)

Fendika Sessions 1 (2012). Trondheim World Music Ensemble. Addis Abeba. CD